Yes. Writing poetry (without question), which is good when the "trip to Finland", says its Izzo premise a few words to his ways, has the feel of an ancestral experience. Coloured Strawberries is perhaps the only poem of political, inspired by that kind of socialism that still can be felt in certain workers' institutions, which transpires in the last legacy of the working-class neighborhoods, which have become collecting points in memory with a lot of museum established for preserve the dignity of those people. But as he wrote
Izzo? At
Montale. At Ungaretti de Island. He too faithful disciple of Hermeticism.
Without its premises ke strawberries (free verse and loose, wrapped in a piece) would be very difficult to decipher: I colored
my strawberry / colors of red / light was then lost / the fall of the grain / sadness was taken to and from the hammer as a gift .
I made the call the Sickle which combines with the element of the last verse and becomes symbol. But elsewhere
-add-you feel the drift of Leopardi. The songs of the shepherds Clubs Asia and Saturdays the village appears to be spreading even in the XXI century
poor boy / you believed in something / how many times the sun rises? / Just to die? / Hypocrisy is in cycle or in a room prey? / poor boy / you sure nothing / just to watch the sun youth.
The "value" comes from the desire to disappoint the expectations of the reader: the cycle is a version of "corroded" speech sky, with an "e" seems subject to metamorphosis, which literally "lose the pieces." Confusion with sudden shifts (sun only). It 's the value of ambiguity, light diligent. Elsewhere Palazzeschi to recognize rhymes, such as the following:
rhythm lost / broken song / story is not / will not be music / tape rewound
confirming the propensity decadent "measures to very short."
could not miss the rhymes meta-literary and then there may also be incipt really surprising, revealing true potential. He recommended Mario Luzi. This famous track Izzo joins so:
" The first word to say / is the daughter of waiting / orphan of silence / is ready / there, arched and tight / weak and nervous / no word from"
enough to recognize a true talent.
Extrapolation part of Julius Sardi appeared in the weekly L'Ancora-February 24, 2008
The book is available in its Italian edition in the storefront www.lulu.co
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