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Eco Disposable, Fabio Izzo (Ed. The leaflet, 2005)
Review and interview
This provocative book is beautiful and good. On this there is no doubt.
But do not think evil, do not run away just to hear the word "provocation." Do not talk about sexual provocation, to which publishing has so widely used that we could not call them reps and provocations. We do not talk of provocation by best sellers, ideas weird how the offspring of Jesus Christ and Mary Magdalene, and not even speak of political proclamations, of which we are already widely victims every day.
It 's a book and even a small part of what should be a book, to be precise.
Party literature. What is literature? Fabio Izzo launches its signals in a style very personal, first hand. Sometimes it is a delusion, sometimes a pot rumbling.
sometimes sophisticated, sometimes it seems an apprentice.
This short novel "of the new millennium", it calls itself, is cast as an old-fashioned ship, which does not trust advanced technology to find the road, but prefers bright stars.
Milosz, Schultz, Singer, Ginsberg, Kerouac, Corso, De Filippo, to name a few. Not to mention Maradona. Not to mention the city that touches on a journey in search of that individual. Acqui from Naples, Marseilles.
Why write anyway? Why strive to put something in black and white when the world is flooded with pages and pages artfully assembled just for entertainment?
cross in the Piedmont province calm and sleepy music related to remote from our Italian life, but not to those who flew on its own imagination. We talk about the Beatles and Nirvana.
But there are also our own, Rino Gaetano, De Andrè, which opens the book. After all, it was the same Pivano to "clear" the singer as a poet worthy of the Genoese medieval tradition. The same Pivano which resulted in Italy Kerouac, Ginsberg, Corso, the beat generation. It seems all connect, as a magical "cosmic hangover, all in a memorable night. He let go
Izzo, on this journey and leads us to winding streets in his memories, his thoughts.
Yes, this book is a provocation. Maybe it's just for dreamers, for those who believe in literature, not in big names. For those not tired of looking at page 221 the author so far unknown. For those who are hungry to read, but not to bow to fashion. That those come and go. Dreams no, if they are good forever. As the literature.
Interview:
-S and a writer. On this there is no doubt. An emerging writer, and we can only imagine how difficult it is to not give up. Can you tell us what has been hard for you that you are not sure of Umberto Eco, find a publisher willing to risk anything to you?
In truth it was not difficult, then I found a brave publisher who has launched a project without too much hesitation in "working progress" as it was to lose Eco. The problem for me now. Why, after a novel experimental has sold thousands of copies is more difficult to publish.
-When did you start writing Eco lose, how you organize your work? What did you have in mind?
happy to answer a question: when I was writing I had in mind eco losing a play list of
Nirvana - Cobain Dall'autodistruttiva experience the inexhaustible creativity of Ginsberg. As you navigate between these two extremes?
are the two extremes of creativity, both looking for the same thing: happiness.
Allen found it in everything, Kurt only in part.
I think we all no ici operated under the same sky in different ocean between these two extremes.
Personally I can say I do not know how to do it ... I'm trying as best suited to me.
-I beat the football, music. They look like the triad that guide your novel. When did you start thinking about these things? How have you made?
The beats are the roots of my literature. I thought I'd start making literature when I discovered the Beats and their legacy.
Football is something that here you breathe and the music is what takes us.
are the elements of a common life of every day used to re-interpret reality in a poetic.
- What brought you in my arms the beat? You got it by chance, through people, meetings, or through routes "academic"?
A bench. A Estathè. And those hot summers that seem to lead nowhere.
This led me to the Beat. I remember as grooming books Ginsberg, Corso, Kerouac, and as I stood looking for other books they or others. Simply fell into my life.
- Even after all if we can catch it by the book, can you tell us beat inheritance you've collected?
The most direct legacy is that everyone can improve things by proposing an alternative system.
The Beats were proactive, classify them and mock them more often with 4 lines,
But they were proactive, based on their beliefs had come to propose a structure parallel to the civil society. A society where literature, poetry, music, were all considered as a necessity.
-The book is infected with poetry, poetry in verse (after all, we can also consider the prose poem in a way). How far do you think is possible, stylistically, being able to reconcile things?
It 'difficult to very difficult to combine the two verses change because the breath of the narration, I tried and I do not know if I have succeeded in fondo.Ho tried to leap up, to integrate the lines at the right time and right place, creating a strong bond, trying to get the reader to breathe. Moreover
-out is also a collection of your poems in English. How is your relationship with other languages \u200b\u200bwhen you write?
depends. I mess in several languages, including Italian.
that sometimes happens to the phrase, bait itself directly in another language.
At other times, to translation of myself.
-After leaving the library are looking for new outlets. Apart from the difficulties editorial, however, that we continue on your way (thankfully). Two outputs are available on http://stores.lulu.com/fabioizzo
Can you explain why this choice online?
The two products on lulu, are things that I have established very little trade.
A publisher would never have invested in a series of short stories or poems about neo privitismo Finland.
So I played the card of self reduced risk.
If anyone is interested is free to take the book ol'ebook without many problems.
The problem is to introduce the book.
To my surprise the University of Tampere came to my rescue ...
usual questions which usually closes (but we could go on) are working on another?
Unfortunately, yes.
and I finished the Hildebrando With a love that are in search of a publisher
Then it should start my own personal drama project with Charles Belton.
I'm reviewing the king of the misfits in this part on internet and I'm writing a novel for the time being is entitled to the south
grating metal and poems, poems that nobody reads.
Review and interview
This provocative book is beautiful and good. On this there is no doubt.
But do not think evil, do not run away just to hear the word "provocation." Do not talk about sexual provocation, to which publishing has so widely used that we could not call them reps and provocations. We do not talk of provocation by best sellers, ideas weird how the offspring of Jesus Christ and Mary Magdalene, and not even speak of political proclamations, of which we are already widely victims every day.
It 's a book and even a small part of what should be a book, to be precise.
Party literature. What is literature? Fabio Izzo launches its signals in a style very personal, first hand. Sometimes it is a delusion, sometimes a pot rumbling.
sometimes sophisticated, sometimes it seems an apprentice.
This short novel "of the new millennium", it calls itself, is cast as an old-fashioned ship, which does not trust advanced technology to find the road, but prefers bright stars.
Milosz, Schultz, Singer, Ginsberg, Kerouac, Corso, De Filippo, to name a few. Not to mention Maradona. Not to mention the city that touches on a journey in search of that individual. Acqui from Naples, Marseilles.
Why write anyway? Why strive to put something in black and white when the world is flooded with pages and pages artfully assembled just for entertainment?
cross in the Piedmont province calm and sleepy music related to remote from our Italian life, but not to those who flew on its own imagination. We talk about the Beatles and Nirvana.
But there are also our own, Rino Gaetano, De Andrè, which opens the book. After all, it was the same Pivano to "clear" the singer as a poet worthy of the Genoese medieval tradition. The same Pivano which resulted in Italy Kerouac, Ginsberg, Corso, the beat generation. It seems all connect, as a magical "cosmic hangover, all in a memorable night. He let go
Izzo, on this journey and leads us to winding streets in his memories, his thoughts.
Yes, this book is a provocation. Maybe it's just for dreamers, for those who believe in literature, not in big names. For those not tired of looking at page 221 the author so far unknown. For those who are hungry to read, but not to bow to fashion. That those come and go. Dreams no, if they are good forever. As the literature.
Interview:
-S and a writer. On this there is no doubt. An emerging writer, and we can only imagine how difficult it is to not give up. Can you tell us what has been hard for you that you are not sure of Umberto Eco, find a publisher willing to risk anything to you?
In truth it was not difficult, then I found a brave publisher who has launched a project without too much hesitation in "working progress" as it was to lose Eco. The problem for me now. Why, after a novel experimental has sold thousands of copies is more difficult to publish.
-When did you start writing Eco lose, how you organize your work? What did you have in mind?
happy to answer a question: when I was writing I had in mind eco losing a play list of
Nirvana - Cobain Dall'autodistruttiva experience the inexhaustible creativity of Ginsberg. As you navigate between these two extremes?
are the two extremes of creativity, both looking for the same thing: happiness.
Allen found it in everything, Kurt only in part.
I think we all no ici operated under the same sky in different ocean between these two extremes.
Personally I can say I do not know how to do it ... I'm trying as best suited to me.
-I beat the football, music. They look like the triad that guide your novel. When did you start thinking about these things? How have you made?
The beats are the roots of my literature. I thought I'd start making literature when I discovered the Beats and their legacy.
Football is something that here you breathe and the music is what takes us.
are the elements of a common life of every day used to re-interpret reality in a poetic.
- What brought you in my arms the beat? You got it by chance, through people, meetings, or through routes "academic"?
A bench. A Estathè. And those hot summers that seem to lead nowhere.
This led me to the Beat. I remember as grooming books Ginsberg, Corso, Kerouac, and as I stood looking for other books they or others. Simply fell into my life.
- Even after all if we can catch it by the book, can you tell us beat inheritance you've collected?
The most direct legacy is that everyone can improve things by proposing an alternative system.
The Beats were proactive, classify them and mock them more often with 4 lines,
But they were proactive, based on their beliefs had come to propose a structure parallel to the civil society. A society where literature, poetry, music, were all considered as a necessity.
-The book is infected with poetry, poetry in verse (after all, we can also consider the prose poem in a way). How far do you think is possible, stylistically, being able to reconcile things?
It 'difficult to very difficult to combine the two verses change because the breath of the narration, I tried and I do not know if I have succeeded in fondo.Ho tried to leap up, to integrate the lines at the right time and right place, creating a strong bond, trying to get the reader to breathe. Moreover
-out is also a collection of your poems in English. How is your relationship with other languages \u200b\u200bwhen you write?
depends. I mess in several languages, including Italian.
that sometimes happens to the phrase, bait itself directly in another language.
At other times, to translation of myself.
-After leaving the library are looking for new outlets. Apart from the difficulties editorial, however, that we continue on your way (thankfully). Two outputs are available on http://stores.lulu.com/fabioizzo
Can you explain why this choice online?
The two products on lulu, are things that I have established very little trade.
A publisher would never have invested in a series of short stories or poems about neo privitismo Finland.
So I played the card of self reduced risk.
If anyone is interested is free to take the book ol'ebook without many problems.
The problem is to introduce the book.
To my surprise the University of Tampere came to my rescue ...
usual questions which usually closes (but we could go on) are working on another?
Unfortunately, yes.
and I finished the Hildebrando With a love that are in search of a publisher
Then it should start my own personal drama project with Charles Belton.
I'm reviewing the king of the misfits in this part on internet and I'm writing a novel for the time being is entitled to the south
grating metal and poems, poems that nobody reads.
